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001486_owner-lightwav…mail.webcom.com_Thu Oct 26 20:41:58 1995.msg
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Date: Thu, 26 Oct 1995 23:34:53 -0400
From: RME3D@aol.com
Message-Id: <951026233452_90764174@mail06.mail.aol.com>
To: lightwave@mail.webcom.com
Subject: Re: Color Match,n
Sender: owner-lightwave@mail.webcom.com
Precedence: bulk
> The kicker is, it's really easy to review a previously
>>tested surface because it's recorded right there on the PAR. When I'm done
>>I have a short animation illustrating how the surface matured from blank
>>white to the way I wanted it to look ( or as close as I could get it ).
>Yeh, thats the way I used to do it. (Back when it was just me and my
>Amiga)
>But now we on a network w/about 20 Lightwave artist and few PARs, so
>I don't have one on MY desk.
You can still test your stuff over the net, I just hope you are not a long
distance from the PAR's :) If your company has that many lightwave artists
<stations, not bodies?>
and a few is <Three?> I would think that each PAR has a composite monitor
available,
and you can always import groups of files, or file directories whenever you
want.
I would design the PAR setup to be the 'HUB' of the Animators.
--
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